EXPOSIÇÕES INDIVIDUAIS • SOLO EXHIBITIONS |
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| 2006 | Antony Gormley, Parco and Museo di Scolacium, Catanzaro |
| Breathing Room , Galerie Thaddeus Ropac, Paris | |
| Altered States, Mimmoscognamiglio, Naples | |
| 2005 | Inside Australia, Anna Schwartz Gallery, Melbourne |
| Asian Field, ICA, Singapore | |
| Certain Made Spaces, Gallery Koyanagi, Tokyo | |
| Field for the British Isles, Longside Gallery, Yorkshire Sculpture Park, Wakefield | |
| Another Place, Crosby and Waterloo Beach, Liverpool | |
| New Works, Sean Kelly, New York | |
| 2004 | BP British Art Displays, Tate Britain, London |
| Asian Field, Jonan High School, Tokyo | |
| Clearing, Galerie Nordenhake, Berlin | |
| Asian Field, Guangdong Museum of Contemporary Art, China | |
| Field for the British Isles, Gloucester Cathedral, Gloucester | |
| Clearing, White Cube, London | |
| Guangzhou Museum of Contemporary Art, China | |
| Mass and Empathy, Fundacao Calouste Gulbenkian, Lisbon | |
| Domain Field, The Great Hall, Winchester | |
| 2003 | Domain Field, BALTIC, Gateshead |
| Standing Matter, Galerie Thaddeus Ropac, Paris | |
| Asian Field, China Touring Exhibition, Guangzhou, Beijing, Shanghai, Chongging | |
| 2002 | Field for British Isles; The British Museum, London |
| Antony Gormley. Drawing, The British Mseum, London | |
| Tuscia Electa, San Casciano, Italy | |
| Antony Gormley, Xavier Hufkens, Brussels | |
| Antony Gormley, Mimmo Scognamiglio, Naples | |
| 2001 | Insiders, New Art Centre Sculpture Park and Gallery, Salisbury |
| 2000 | Drawn, White Cube 2, London |
| 1995 | Field for the British Isles, Orchard Gallery, Derry; Ikon Gallery, Birmingham, (with Concrete Works); National Gallery of Wales, Cardiff |
| Drawings, The Pace Foundation, San Antonio | |
| Solo Exhibition, Kohji Ogura Gallery, Nagoya | |
| Critical Mass, Remise Museum, Vienna | |
| Learning to Think, The British School, Rome | |
| 1994 | Lost Subject, White Cube, London |
| Field for the British Isles, Touring: Oriel Mostyn, Wales; Scottish National Gallery of Modern Art, Edinburgh | |
| Escultura, Galeria Pedro Oliveira, Porto, Portugal | |
| 1993 | Solo Exhibition, Galerie Thaddeus Ropac, Paris |
| Solo Exhibition, Touring: Malmö Konsthal, Sweden; Tate Gallery, Liverpool; 1994: Irish Museum of Modern Art, Dublin | |
| European Field, Touring: Centrumsztuky, Warsaw, 1994; Modern Galerija, Ljubljana; | |
| Muzej Suvremene Umjetnosti, Zagreb; Ludwig Museum, Budapest;1995: | |
| Prague Castle, Prague; "Sala Rotunda", National Theatre, Bucharest, Romania | |
| Solo Exhibition, Galerie Nordenhake, Stockholm | |
| 1992 | American Field, Touring: Centro Cultural Arte Contemporaneo, Mexico City; San Diego Museum of Cont. Art, La Jolla, CA; 1993: The Corcoran Gallery of Art, Washington DC; The Montreal Museum of Fine Arts, Montreal |
| Recent Works, Burnett Miller Gallery, Los Angeles | |
| Body and Soul : Learning to See, Contemporary Sculpture Centre | |
| 1991 | Drawings & Etchings, Frith Street Gallery, London |
| Solo Exhibition, Galerie Isy et Christine Brachot, Brussels | |
| American Field, Salvatore Ala Gallery, New York | |
| Bearing Light, Gallery Shirakawa, Kyoto | |
| Sculpture, Galerie Nordenhake, Stockholm | |
| Sculpture, Miller Nordenhake, Köln | |
| American Field and other Figures, Modern Art Museum, Fort Worth, Texas | |
| 1990 | Bearing Light, Burnett Miller Gallery, Los Angeles |
| 1989 | Solo Exhibition, Louisiana Museum of Modern Art, Denmark |
| Solo Exhibition, Salvatore Ala Gallery, New York | |
| Solo Exhibition, Scottish National Gallery of Modern Art, Edinburgh | |
| Drawings, McQuarrie Gallery, Sydney | |
| A Field for the Art Gallery of New South Wales | |
| A Room for the Great Australian Desert, Art Gallery of NSW , Sydney | |
| 1998 | Solo Exhibition, Burnett Miller Gallery, Los Angeles |
| Solo Exhibition, Contemporary Sculpture Centre, Tokyo | |
| The Holbeck Sculpture, Leeds City Art Gallery | |
| 1987 | Man Made Man, La Criee Halle d'Art Comtemporain, Rennes |
| Drawings, Siebu Contemporary Art Gallery, Tokyo | |
| Vehicle, Salvatore Ala Gallery, New York | |
| Solo Exhibition, Gallerie Hufkens de Lathuy, Brussels | |
| Five Works, Serpentine Gallery, London | |
| 1986 | Solo Exhibition, Salvatore Ala Gallery, New York |
| Drawings, Victoria Miro Gallery, London | |
| 1985 | Drawings1981-1985, Salvatore Ala Gallery, New York |
| Solo Exhibition, Städtische Galerie/Kunstverein, Regensburg/Frankfurt | |
| Solo Exhibition, Galerie Wittenbrink, Munich | |
| Solo Exhibition, Galleria Salvatore Ala, Milan | |
| 1984 | Solo Exhibition, Riverside Studios, London/Cardiff |
| Solo Exhibition, Salvatore Ala Gallery, New York | |
| 1983 | Solo Exhibition, Coracle Press, London |
| 1981 | Solo Exhibition, Whitechapel Art Gallery, London |
| Solo Exhibition, Serpentine Gallery, London | |
| EXPOSIÇÕES COLECTIVAS (SELECÇÃO) • GROUP EXHIBITIONS (SELECTION) |
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| 2006 | Zones of Contact, 2006 Biennale of Sydney, Sydney |
| The Faces of a Collection, Kunsthalle Mannheim, Mannheim | |
| Sixty Years of Sculpture in the Arts Council Collection, Longside Gallery, Yorkshire Sculpture Park | |
| To the Human Future - Flight from the Dark Side, Art Tower Mito, Japan | |
| 2005 | Space - Now and Then, AaBe Factories, Tilburg |
| Munch Revisited, Henie Onstad Kunstcenter, Oslo | |
| Henry Moore Epoch and Echo. Aspects of English Sculpture in the Twentieth Century, Museum Würth, Schwabish Hall | |
| Blickachsen 5, Bad Homburg | |
| Glyndebourne Festival, Glyndebourne, East Sussex | |
| Ceramics Biennale, Icheon, Korea | |
| Tate Sculpture: The Human Figure in British Art From Moore to Gormley, Millennium Galleries, Sheffield | |
| 2004 | British Sculpture Show, National Museum of Art, Bucharest |
| Making Space, Taking Place, Tuscia, Poggibonsi | |
| Cobweb, CGAC, Santiago de Compostela | |
| Den Haag Sculpture Project, Den Haag | |
| Laocoon Devoured, Artrium, Vitoria-Gasteiz, Spain | |
| Off The Beaten Track: Arts Council Collection Explored, Longside Gallery, Yorkshire Sculpture Park | |
| Bodily Space: New Obsessions in Figurative Sculpture, Albright-Knox Art Gallery, Buffalo | |
| Presence: Images of Christ for the Third Millennium, Canterbury Cathedral, Canterbury | |
| The Secret History of Clay: From Gauguin to Gormley, Tate Liverpool, Liverpool | |
| Etre: Les Droits De L'Homme A Travers L'Art, Palais des Nations, UN, Geneva | |
| 2003 | Perpetual Bliss - Form, Symbol & Material in Contemporary Sculpture, Galerie Thaddaeus Ropac, Paris |
| Independence, South London Gallery, London | |
| Sanctuary, Contemporary Art and Human Rights, Gallery of Modern Art, Glasgow | |
| 2002 | To Eat or not to Eat, CASA, Centro de Arte de Salamanca, Salamanca |
| Retrospectacle: 25 Years of Collecting Modern & Contemporary Art, Denver Art Museum, USA | |
| Self- Evident: Making the Self the Subject of Art from 1970 to the present Day, Tate Britain, UK | |
| The Nude in 20th Century Art, Kunsthalle in Emden | |
| Blast to Freeze, Kunstmuseum Wolfsburg, Germany | |
| 2001 | Abbild. Recent Portraiture and Depiction, Steirisc[:her:]bst, Landesmuseum, Graz |
| 2000 | Out There, White Cube2, Hoxton Square, London |
| Trialogo (Giuseppe Gallo, Antony Gormley, David Hammons), Palazzo delle Esposizioni, Rome | |
| 1999 | Separate Messages, Centenary Gallery, Camberwell College of Arts, London |
| Kunst Fur Den Bundesrat, Gebaeude Deutscher Bundestag, Berlin | |
| Presence: Figurative Art at the End of the Century, Tate Gallery, Liverpool | |
| Den Haag Sculptuur: British Sculpture of the Twentieth Century, The Hague | |
| La Casa, Il Corpo, Il Cuore, Museum Moderne Kunst Stiftung Ludwig Wien, Vienna | |
| Spaced Out: Late 1990s Works from Vicki and Kent Logan Collection, The CCA Institute, California | |
| Umdalen Sculptur 99, Galleri Stefan Andersson, Umea, Sweden | |
| Post Impressions. The Art of the Stamp & 1000 Years of Inspiration, The British Library, London | |
| The Shape of the Century. 100 Years of Sculpture in Britain, Canary Wharf, London | |
| The History of the Turner Prize, ArtSway, Sway | |
| 1998 | The Body of Sculpture 1948-1998, Christine Koenig & Franziska Lettner Galerie, Vienna |
| Eye Was a Child, Save the Children Fund at the Saatchi Collection, London | |
| The Mass Ornament, Kunsthallen Brandts Klædefabrik, Odense, Denmark | |
| Wanas 1998, Wanas Foundation, Knislinge, Sweden | |
| [UME.SE], Umea, Sweden | |
| Arte Urbana, Expo'98, Lisbon, Portugal | |
| Ideal Und Wirklichkeit, Rupertinum, Slazburg, Austria | |
| Persona, Galerie Carousel, Paris | |
| Thinking Aloud, Kettle's Yard, Cambridge; cornerhouse, Manchester; Camden Art Centre, London | |
| Hope (Sufference) Press, Sun and Doves, London | |
| A Portrait of Our Times: An Introduction to the Logan Collection, San Francisco Museum of Modern Art, San Francisco | |
| Bodies in Transit, Galeria Pedro Oliveira, Porto, Portugal | |
| 1997 | The Body, The Art Gallery of New South Wales, Australia |
| Bodyworks, Kettle's Yard, Cambridge | |
| Marking Presence, ArtSway, New Forest | |
| L'Empreinte, Centre Charles Pompidou, Paris | |
| From Head to Foot,Kunstverein Frankfurt, Frankfurt | |
| Introversiones, Museu d'Art Contemporani de Barcelona | |
| A Ilha do Tesouro, Centro de Arte Moderna Jose de Azeredo Perdigao, Lisbon | |
| The Berardo Collection, Sintra Museum of Modern Art, Sintra, Portugal | |
| Material Culture : The Object in British Art of the 1980s and 90s, Hayward Gallery, London | |
| Von Kopf Bis Fuss, Kunstraum Innsbruck/Burgenlandische Landesgalerie, Austria | |
| The ICA 50th Anniversary Auction Exhibition, ICA, London | |
| Von Kopf Bis Fuss, Ursula Blickle Stiftung, Kraichtal, Germany | |
| Antlitz, Galerie Thaddaeus Ropac, Salzburg/Paris | |
| Tongyoung Open Air Sculpture Symposium, Tongyoung City, Korea | |
| Northern Lights, The Mercer Art Gallery, Harrogate | |
| Stone : Franctures and Fragments, Michael Hue-Williams Fine Art Ltd., London | |
| Beneath the Skin, The Gallery, Gateshead Central Library/Design Works, Gateshead | |
| Angels Models, BR Greenesfield Works, Gateshead | |
| Klei, Witte Zaal, Gent | |
| 1996 | Sculptures, Gigondas, France |
| Tate on the Tyne, Laing Art Gallery, Newcastle | |
| Proem, Rubicon Gallery, Dublin | |
| From Figure to Object, Frith Street Gallery / Karsten Schubert | |
| Engineering Art, Former Swan Hunter Canteen Building, Wallsend, Tyneside | |
| Un siecle de Sculpture Anglaise, Jeu de Paume, Paris | |
| Tate on the Tyne, Laing Art Gallery, Newcastle | |
| Estonia Tavlingen om ett Monument, Skissemas Museum, Lund, Sweden | |
| Works on Paper, Irish Museum of Modern Art, Dublin / Ormeau Baths Gallery, Belfast | |
| Sculpture in the Close, Jesus College, Cambridge | |
| Figuration, Irish Museum of Modern Art, Dublin | |
| Betong, Malmo Konsthall, Malmo, Sweden | |
| Forma, Urbis : XXIII Biennale Gubbio, Gubbio, Italy | |
| Great Britain - USSR, The House of the Artist, Kiev; The Central House of the Artist Moscow | |
| Before Sculpture-Sculptors-Drawings, New York Studio School, New York | |
| Sapporo Sculpture Garden 2, Sapporo, Japan | |
| British art Now: A Subjective View, British Council Show touring, Japan | |
| 5th Anniversary Exhibition, Burnett Miller Gallery, Los Angeles | |
| Made of Stone, Galerie Isy Brachot, Brussels | |
| 1995 | ARS 95', Helsinki, Finland |
| The Mind Has a Thousand Eyes, Burnett Miller Gallery, Los Angeles | |
| Contemporary British Art in Print, Scottish Museum of Modern Art, Edinburgh; Yale Centre for British Art, New Haven | |
| Fredsskulptur '95, Denmark | |
| The Weltkunst Collection, Irish Museum of Modern Art, Dublin | |
| Zeichnungen Sammeln,Elisabeth Kaufmann, Basel | |
| Die Museu, Galerie Thaddaeus, Salzburg | |
| Here and Now, Serpentine Gallery, London | |
| 100 Works of the Art Collection of Iwaki City Art Museum, Iwaki City Art Museum, Iwaki, Japan | |
| After Hiroshima, Hiroshima City Museum of Contemporary Art, Hiroshima | |
| Glaube Hoffnung Liebe Tod, Kunsthalle Vienna | |
| Acquisitions 1989-1995, Musee des Beaux-Arts, Rennes | |
| 1994 | Air and Angels, ITN Building, London |
| Turner Prize Finalists, Tate Gallery, London | |
| Sculptors' Drawings from the Weltkunst Collection, Tate Gallery, London | |
| Artists' Impressions, Kettle's Yard, Cambridge; Castle Museum, Nottingham | |
| From Beyond the Pale, Irish Museum of Modern Art, Dublin | |
| The Essential Gesture, Newport Harbor Art Museum, Newport Beach, CA | |
| Artist's Impressions, Kettle's Yard, Cambridge/1995, Castle Museum Nottingham | |
| 1993 | The Fujisankei Biennale, Hakone Open-air Museum, Japan |
| Vancouver Collects, The Vancouver Art Gallery, Canada | |
| The Human Factor: Figurative Sculpture Reconsidered, The Albuquerque Museum, Albuquerque, NM), cat. | |
| The Raw and the Cooked, Barbican Art Gallery, London; Museum of Modern Art, Oxford; Taipei Fine Arts Museum, Taiwan; Glynn Vivian Art Gallery Swansea; 1995: Shigaraki Ceramic Sculpture Park, Japan; Musée d'Art Contemporain de Dunkerque, France | |
| 1992 | Drawings and Etchings, Frith Street Gallery, London |
| C'est Pas La Fin Du Monde, La Criee, Rennes; Faux Mouvement, Metz; FRAC Basse Normandie, Caen; FRAC Poitou Charentes, Angouleme Arte Amazonas, Museu de Arte Moderna, Rio de Janiero; Berlin Kunsthalle;Technische Sammlungen, Dresden; Museum Ludvig, Aachen | |
| Sculpture for a Garden, Roche Court, Wiltshire | |
| Sculpture in the Close, Jesus College, Cambridge | |
| From the Figure, BlumHelman Gallery, New York | |
| Summer Show, Marisa del Re Gallery, New York | |
| Natural Order, Tate Gallery, Liverpool | |
| Images of Man, Insetan Museum of Art, Tokyo; Daimura Museum, Umeda-Osaka, Hiroshima City Museum of Cont. Art | |
| Des Dessins Pour Les Eleves Du Centre Des Deux Thielles, Le Landeron, Centre scolaire et spotif des Deux Thielles, Le Landeron; Offentlich Kunstsammlung, Basel | |
| 1991 | Virtual Realities, Scottish Arts Council touring show |
| Sculpture for the Old Jail, Spoleto Festival USA, Charleston, South Carolina | |
| Inheritance and Transformation, The Irish Museum of Modern Art, Dublin | |
| Goldsmiths' Centenary Exhibition 1991 Goldsmiths' Gallery, London | |
| Colours of the Earth, British Council exhibition touring: India and Malaysia | |
| Des Usages A La Coleur, Ecole Regionale des Beaux-Art, Rennes, France | |
| 1990 | Contemporary British Sculptors- Works on Paper, Connaught Brown, London |
| 1989 | It's a Still Life, Art Council Collection, South Bank Centre, London |
| Objects of Thought, Tornberg Gallery, Malmo, Sweden | |
| Corps-figures, Artcurial, Paris | |
| Visualisation on Paper: Drawing as a Primary Medium, German van Eck, New York | |
| 1988 | British Now: Sculpture et Autre Dessins, Musee D'Art Cont. de Montreal |
| 1988 | The Impossible Self, Winnipeg Art Gallery; Vancouver Art Gallery, Canada |
| Lead, Hirschl & Adler Modern, New York | |
| Made to Measure, Kettles Yard Cambridge | |
| Starlit Waters: British Sculpture 1968-1988, Tate Gallery, Liverpool | |
| ROSC'88, Dublin | |
| Porkkana-Kokoelma, Vanhan Galleria, Helsinki | |
| 1987 | Viewpoint, Musse Royaux des Beaux-Arts de Belgique, Brussels |
| 1987 | Mitographie: Luoghi Visibili/invisivle Dell'Arte, Pinacoteca |
| Documenta 8 , Kassel | |
| Avant-Garde in the 80's, Los Angeles County Museum of Art | |
| T.S.W.A. 3D, City Walls, Derry, Ireland | |
| The Reemergent Figure, Storm King Art Center, Mountainville, New York | |
| State of the Art, ICA , London | |
| Chaos & Order in the Soul, University Psychiatric Clinic, Mainz, Germany | |
| Revelation For the Hands, Leeds City Art Gallery; Univ. of Warwick Art Centre | |
| The Documenta Artists, Lang O'Hara, New York | |
| 1986 | Art and Alchemy, Venice Biennale, Venice |
| Prospect '86, Frankfurt Kunstverein, Frankfurt | |
| The Generic Figure, The Corcoran Gallery of Art Washington DC | |
| Between Object and Image, Minesterio de Cultura & British Council, Palacio de.Velasquez, Parque del Retiro, Madrid; Barcelona & Bilbao | |
| New Art New World Auction, Jay Jopling/Charles Booth-Clibborn/Greville Worthington, London | |
| Vom Zeicinen: Aspekte Der Zeichnung, Frankfurt Kunsverein, Kassele Kunstverein, Museum Moderner Kunst, Vienna | |
| 1985 | Walking and Falling, Plymouth Arts Centre, Plymouth; Kettle's Yard, Cambridge; Interim Art, London |
| Nuove Trame Dell'Arte, Castello Colonna di Genazzano, Italy | |
| The British Show, Art Gallery of Western Australia, Art Gallery of NSW, Queensland Art Gallery, Australia; National Gallery, Wellington Gallery, New Zealand | |
| Beyond Appearances, Nottingham Castle Museum | |
| Three British Sculptors, Neuburger Museum, State University of New York | |
| Figurative Sculpture, Susanne Hilberry Gallery Birmingham, Michigan | |
| 1983 | Transformations : New Sculpture from Britain XVII Bienal de Sao Paulo; Museu de Arte Moderna , Rio de Janiero; Museo de Arte Moderno, Mexico; Fundacao Calouste Gulbenkian, Lisbon |
| '1984', Camden Arts Centre, London | |
| An International Survey of Recent Painting & Sculpture, The Museum of Modern Art, New York | |
| Anniottanta, Galleria Comunale d'Arte Moderna, Bologna | |
| The British Art Show, Birmingham, Edinburgh, Sheffield, Southampton | |
| Metaphor and / or Symbol, National Gallery of Modern Art Tokyo | |
| Human Interest, Cornerhouse Gallery, Manchester | |
| 1983 | New Art, Tate Gallery, London |
| Views and Horizons, Yorkshire Sculpture Garden, Yorkshire | |
| The Sculpture Show, Hayward and Serpentine Galleries, London | |
| Tongue and Groove, Touring: Coracle Press , London, St Pauls Gallery, Leeds; Ferens Gallery, Hull | |
| Tongue and Groove, Touring: Coracle Press , London, St Pauls Gallery, Leeds; Ferens Gallery, Hull | |
| Assemble Here : New English Sculpture, Puck Building, New York | |
| 1982 | Figures and Objects, John Hansard Gallery, London |
| Figures and Objects, Fruitmarket Gallery, Edinburgh | |
| Contemporary Choices, Serpentine Gallery, London | |
| Whitechapel Open, Whitechapel Art Gallery, London | |
| Hayward Annual: British Drawing, Hayward Gallery, London | |
| Aperto '82, Biennale de Venezia, Venice | |
| 1981 | British Sculpture in 20 th Century, Whitechapel Art Gallery, London |
| Objects and Sculpture, ICA, London; Arnolfini, Bristol | |
| 1980 | Nuove Imagine, Milan |
| ESCULTURAS PÚBLICAS • PUBLIC SCULPTURES |
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| Quantum Cloud, Greenwich | |
| Angel of the North, Gateshead | |
| Open Space, Place Jean Monnet (Rennes) | |
| Iron : Man, Victoria Square, Birmingham | |
| Havmann - 10m high black Arctic granite body form - commissioned for Skulpturlandskap | |
| Norland (Mo i Rana, Norway) | |
| Out of the Dark, Martinsplatz, Kassel | |
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| ANTONY GORMLEY 1950, London, UK. Lives and works in London |
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